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Judul : Latest modern science | Critique: 3D sound - Si Bejo Science
link : Latest modern science | Critique: 3D sound - Si Bejo Science
Erlend had a few notes on this creation.
The flowchart works reasonably well, although the reading order of the �Propogation� box in the upper right is a little tricky. If there was a little more room, I might try placing �Sound processing� slightly lower than the text block flanking it. That way, the �Source sound� and �Propogation� would sort of funnel down into �Sound processing.� But this poster has a nice balance of text and margins, and you couldn�t move �sound processing� down without messing with that.
Smart move, and an excellent example of how designs are often improved by taking things away.
I like how subtle colour gradients are used to distinguish blocks of text instead of heavy-handed outlines.
I�m particularly interested by Erlend�s comments about using institutional styles. I�ve been wary of institutional style guides, because they often prioritize advertising the institution over the content that a poster viewer cares about. Erlend, I think, takes a sensible approach:
Erlend isn�t slavishly following a template, but looking for ways to use elements of the institution�s style. Institutional colour schemes are usually closely examined by professional designers, so you end up with palettes that are harmonious, and maybe a little conservative. The colours should work in lots of different conditions. And you don�t have to use every official colour.
I did something similar recently, when I made a new logo for my homepage. I deliberately wanted to harmonize it with my institution�s logo:
Like Erlend�s case, my university has navy blue and green as secondary colours, but I didn�t use those. I used the same primary colours and font (Caecilia), and customized a swishy capital:
By using the institutional typeface for headings, you evoke the institution in a subtle way. It�s got more finesse than just shoving a logo somewhere on the page. And if you do put in a logo, you avoid having a lot of different fonts fighting each other.
Alas! I agree that more graphics and a little less text would be more appealing. Nevertheless, this poster has enough space on it that it doesn�t become an indistinguishable block of grey from a distance.
Related posts
Misplaced priorities on institutional templates
Anda sekarang membaca artikel Latest modern science | Critique: 3D sound - Si Bejo Science dengan alamat link https://twistedhub.blogspot.com/2015/11/latest-modern-science-critique-3d-sound.html
Judul : Latest modern science | Critique: 3D sound - Si Bejo Science
link : Latest modern science | Critique: 3D sound - Si Bejo Science
Latest modern science | Critique: 3D sound - Si Bejo Science
Today�s poster comes from Erlend Magnus Viggen. Click to enlarge!
Erlend had a few notes on this creation.
Since the article is about a computational method that we developed, the poster is a flowchart of the method.
The flowchart works reasonably well, although the reading order of the �Propogation� box in the upper right is a little tricky. If there was a little more room, I might try placing �Sound processing� slightly lower than the text block flanking it. That way, the �Source sound� and �Propogation� would sort of funnel down into �Sound processing.� But this poster has a nice balance of text and margins, and you couldn�t move �sound processing� down without messing with that.
There�s no introduction. I�m not sure to which degree an introduction beyond the title is useful on a poster in any case, but in this case our method is far more relevant for our conference audience than our motivation is. Our use-case is basically outside the scope of the conference.
Smart move, and an excellent example of how designs are often improved by taking things away.
I like how subtle colour gradients are used to distinguish blocks of text instead of heavy-handed outlines.
I�m particularly interested by Erlend�s comments about using institutional styles. I�ve been wary of institutional style guides, because they often prioritize advertising the institution over the content that a poster viewer cares about. Erlend, I think, takes a sensible approach:
I tried to follow the guidelines of my research institute: use a grid, use the official typeface (though I only used it for headers as it�s more of a display typeface), and use colours from the official scheme. While there are more colours in the official scheme, the dark blue one is our main colour and the light gray-brown is the only bright-ish colour among our �main� colours.
Erlend isn�t slavishly following a template, but looking for ways to use elements of the institution�s style. Institutional colour schemes are usually closely examined by professional designers, so you end up with palettes that are harmonious, and maybe a little conservative. The colours should work in lots of different conditions. And you don�t have to use every official colour.
I did something similar recently, when I made a new logo for my homepage. I deliberately wanted to harmonize it with my institution�s logo:
Like Erlend�s case, my university has navy blue and green as secondary colours, but I didn�t use those. I used the same primary colours and font (Caecilia), and customized a swishy capital:
By using the institutional typeface for headings, you evoke the institution in a subtle way. It�s got more finesse than just shoving a logo somewhere on the page. And if you do put in a logo, you avoid having a lot of different fonts fighting each other.
I'm not too happy with not having more pictures, but unfortunately we just don't have any more that would fit well.
Alas! I agree that more graphics and a little less text would be more appealing. Nevertheless, this poster has enough space on it that it doesn�t become an indistinguishable block of grey from a distance.
Related posts
Misplaced priorities on institutional templates
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