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Kamis, 26 Juni 2014

Latest modern science | Link roundup for June 2014 - Si Bejo Science

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Points for honesty. Hat tip to Alan Rice.


The Science of Comic Sans is an interesting article on research about type, and how type has, for lack of a better word, �personality.� (Comic Sans is apparently the Upworthy-esque keyword that makes people click links about type.) Hat tip to Mary Canady.

Studies done in the past decade or so have identified the range of type traits with more precision. Broadly speaking, serif types are more focused and organized and calm than sans serifs � and much more than scripts. Rounder types elicit happiness; sharper types, anger. Odd spacing can be interesting but aggressive; consistent spacing feels professional but boring. Some work argues that most typefaces can fit into three personality groups: elegant, friendly, and direct.

It seems a little early to do a �2014 trends� article, but here�s one on logo design this year (so far). I had no idea pom pom logos were big this year. Hat tip to Mike Weytjens.


�Then� and �now� in design always make for interesting points of comparison. How does the humble pop can fare? Not to well, alas. Hat tip to Sleestak.


This painted type is here purely as eye candy.


Kamis, 19 Juni 2014

Latest modern science | Critique: Skin, close up - Si Bejo Science

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Today�s contribution comes from Edgar Guevara, and is shown with permission. Click to enlarge!


The clean layout of this poster makes the reading order so clear that you don�t really need the circled numbers in the heading. I like the circled numbers as a bit of a design, though. But they would be even better if they were used consistently: the fourth column gets a �Cont� heading, but not the second.

The major concern I have is that the text has almost no margins around it. The letters at the start and end of each line are practically kissing the background image. I did a very quick and dirty attempt to widen out the margins:


If I were to keep at this, I would try to move the columns up, so that the white boxes weren�t scraping the edge of the paper, and even out the spacing between the columns. But I think this shows that a slightly wider margin improves the look of the text within the columns.

The graphics, while generally nice, are mostly down in the bottom half of the poster. I would be trying to move those images up closer to eye level if possible.

The background image is simple, so it doesn�t detract too much from the main content of the poster.

Although the logos are tastefully contained in the bottom corner, there are so many that they do start to look a little like a car in NASCAR.

Kamis, 12 Juni 2014

Latest modern science | Critique: German chamomile - Si Bejo Science

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Today�s contribution comes from Reyna Gutierrez Rivera, and is used with permission. Click to enlarge!


On the plus side, the �Finding� box at top works well in providing a clear take-home message. The methods flow chart is also a good idea, although it could benefit from being smaller, because...

Everything is too close together! This poster needs wider margins between the columns, between the graphs, just everywhere. Making text smaller or cut some material will be worth it. The place where the poster needs the most clean-up is in the results. You kind of have two columns, but nothing lines up, so it looks disorganized. For instance, the figure and table legends don't line up with their data above them.

Given how much is crowded below, a lot of space can be freed up by putting the institutional address on one line. It's chewing up a lot of space.

Tables are always a problem on posters, because they are not very visual. Can you think of a way to show this graphically? If not, Table 1 would benefit from being wider (or a graph), so you don't have so many words hyphenated. Also, try removing the vertical lines in the table so you don't have a "data prison".

Figure 2 is squashed; the text in the axes give it away.

Kamis, 05 Juni 2014

Latest modern science | Can it be too simple? Plus, critique and revision: number processing - Si Bejo Science

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Andrea Quintero asked:

Can a poster be too boring/simple?

Before I answer, I want to distinguish that posters are about both form and content. In the context of this question, I think �simple� is mostly about the form of the poster � the layout and the graphic elements � not the content. Having too little content doesn�t make a poster �simple�: it makes it stupid.

If you read regularly, you�ve probably realized that I am a believer in simplicity. �Take out the trash� is often my first response to trying to make a poster better. Can a poster be too simple?

I was little surprised to realize that my answer is, �Yes.�

Posters are visual displays. So, a poster with no visual elements is too simple. Here�s something that doesn�t have much business being a poster:

A title and a bunch of paragraphs (even cleanly laid out ones) do not a poster make.

Here�s Andrea�s poster:


She noted that it was influenced in some ways by posters here on the blog. I think the dropped caps may have come from here, as I�ve used them occasionally, but haven�t seen too many other people use. On this poster, the dropped caps are causing problems. From a distance, they �pop� as random letters. This is one symptom of this poster�s need for a stronger sense of hierarchy.

The title, which should always be the most visible and important thing from a distance (it�s your highway sign) is getting lost. The �Attention Network Test,� �Enumeration,� and �Magnitude comparison� headings are popping out first.

Speaking of which, the words �Attention Network Test,� �Enumeration,� and �Magnitude comparison� are doing double duty here. They are both acting as headings, and they are part of a sentence. But the rest of the sentence is lined up at the top of the headings, which breaks our normal expectations.

Let me change the size of the text in this sentence. See how everything lines up at the bottom of the letters along the baseline, not the top?

Anytime you want to use different size text in a sentence, it�s better to line up the bottom than top.

I suggested using slightly more subdued colours for the graphs, rather than the bright primary colours.

The central rows of data are not a bad idea, but they look crowded and busy. The text on the ends bracketing them also look dense.

Andrea wrote that the poster has most of my dissertation work, and that �It is all precious and important to me.� That can be a warning sign. Writers have a saying:

You have to kill your darlings.

That is, there is stuff you might love for some reason. But you often have to edit out stuff you love because it just doesn�t work in the larger context of the story you�re trying to tell, or the time constraints of the medium, or what have you. You have to be ruthless.

After our discussion on Twitter, Andrea went away and created this revision:


I think this is a much improved version. The dark colour band of the title gives it some visual weight, so it�s clearly signifying it as important without increasing the font size. The �popping� dropped caps are gone, and the colours in the graphs aren�t fighting with each other any more. I think the poster still needs a stronger hierachy in the text, but there�s no doubt in my mind that this revision is the better poster.

The poster went well, and Andrea wrote:
I got many compliments on my design. Thanks for the advice!

Kamis, 29 Mei 2014

Latest modern science | Link roundup for May 2014 - Si Bejo Science

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Here are some posters to help you learn about typography, like this one:


Biochem Belle peers into the future:

Looks for poster tubes boarding flight. How will we spot science conference goers when posters go fully digital?!

Remember, talking to people with poster tubes in the airport lobby is a great way to network!

And Jeremy Berg peers into the past:

Last time I made a poster myself, it involved much more rubber cement.

Katie delivers five great tips for how to mingle at conferences at her blog, Sickness is Fascinating.

Don't be afraid to mention random or only tangentially-related things if you're getting the vibe that these people you just met a few minutes ago would totally appreciate learning about the International Mustache Film Festival or seeing a picture of the awesome mullet you sported in kindergarten.

Kamis, 22 Mei 2014

Latest modern science | Critique: Visualising sound - Si Bejo Science

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In my grad program, we had a grad school departmental seminar every year, where all students would give 15 minute talks on their research. The first year students often gave some of the best talks.

This wasn�t because students got worse as presenters as they went through the program; it was because the incoming students only had project proposals. That weren�t trying to cram everything into a short amount of time.

I am reminded of this because today�s contribution, from Benjamin Gorman, is also a proposal (click to enlarge).


This is an attractive, approachable poster. The first thing that pops out about it is the attractive and consistent colour palette. If you had said, �green and pink� to me, I don�t think I would have expected it to work as well as it does here. My concern, as usual for posters with coloured backgrounds, is how well it will read if it�s in a room with less than ideal lighting.

The use of large images throughout is also a factor in this poster�s attractiveness. They are simple, concrete, and easily recognizable. Again, this is an advantage of having a proposal: you don�t have graphs of data, which are almost always abstract.

While I normally rail against boxes, they work here, for a couple of reasons. There are not many of them. They are light, rather than dark.

Each row contains two columns within it. Normally, I would suggest that these be equally wide. But here, the size of the images, particular of the glasses in the middle, dictate the space the text flows in. Forcing the columns to be equally wide here would require squashing the images in the middle, and I think the result would be less interesting than it is here.

Kamis, 15 Mei 2014

Latest modern science | Critique and makeover: Zen microbiome (no relation) - Si Bejo Science

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Today�s sharing come from Jenna Lang, and is used with her permission. Click to enlarge:


This poster has a different goal than most of the posters here. It�s a recruiting tool, not a research report. I�ll let Jenna explain (slightly edited):

I am a microbial ecologist. Historically, members of our lab all attend the same conferences and interact with the same people. Lately, I�ve been doing things a little differently.
This poster was presented at a gathering of partners in a big network of seagrass researchers (see zenscience.org). These people work at sites all over the world, they speak many different languages, and English with many levels of proficiency. They are marine biologists, and spend their days on boats and in SCUBA gear, and thinking about large-scale ecological questions. They know NOTHING about what my lab does.
I attending this conference because I want to know what kinds of microbes are living in their seagrass beds, and I want them to send me samples. Sample collection is super simple (something I want to emphasize) and the role of microbes in seagrass beds is entirely unknown (although we assume it will be important.) I wanted to keep this poster free (as much as possible) from jargon, to present just enough data to show what types of things we can learn, and to provide a few figures that I can reference when talking to them about the overall goals of our project and to the diversity of seagrasses at their sites (thus the phylogenetic tree and the illustration of various seagrass types.) I also had some props with me (a water filtration device and some collection tubes and a storage box.)

When I presented this poster it went over very well. People are very excited to work with me and very willing to send me samples. I look forward to presenting this �recruitment tool� at other conferences in the future.

Despite the title, the original poster didn�t have much of a Zen aesthetic. There was just a little too much going on. There were a lot of lines and thick boxes. The credits were fighting for attention in the title. Some sections were centered, others were left justified, for no apparent reason.

In editing, I tried taking out the trash. Mainly, this meant removing, or at least lightening, a lot of the lines in the boxes. Let the colour differences define the space, rather than heavy lines.



I think lightening up the poster helps.

A recruiting poster has a goal of bringing in those who know nothing. That �We need your help!� is visible, even at this reduced size, helps achieve that goal. But I am still concerned that this poster may be a little too complex and intimidating to bring in casual onlookers.
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